![]() ![]() Finally, you are responsible for the general health and safety of everyone on set (no big deal).Īlthough during Hitchcock’s time it may have been natural for 1st AD to progress to the rank of Director, today production management has become its own area. To do this you prepare a ‘call sheet’ – a document detailing each day’s shooting logistics. Once in production you keep the filming schedule on track, and supervise the other Assistant Directors (2nd and 3rd AD’s) and the Runners. You also supervise the selection of locations and the acquisition of props and equipment. Your job starts during pre-production, when you break down the script shot-by-shot to determine shoot order and the length of each scene. Here you run the film set, co-coordinating the entire production and overseeing the cast and crew. If your interests run more managerial than creative, a job as the First Assistant Director could be your spot in the film world. As the First Assistant Director, you liaise between the Director and the production department, taking care of the technical aspects of filmmaking so that the Director’s creativity can flow undisturbed. To enter a relevant degree (SCQF level 9/10) requires a minimum of four highers or a relevant HNC/HND.The First Assistant Director (1st AD or First) is the Director’s right-hand (wo)man, or rather their “right-brain” (wo)man. Once filming starts, the first AD’s primary responsibility is executing the production schedule and keeping the set working efficiently. You can enter Higher National Certificate (SCQF level 7) or Higher National Diploma courses (SCQF level 8) with National 4/5 qualifications and one to two Highers or equivalent qualifications. The Responsibilities of a First Assistant Director During preproduction, the first AD concentrates on logistics and planning so that the director can focus most of their energy on creative decisions. You can enter some Technical Theatre National Certificate or National Qualification courses (SCQF 2-6) with no formal qualifications but most courses ask for National 4/5 qualifications (SCQF level 4/5). The key to becoming an assistant director is to get practical experience of the production process, and also to develop a network of contacts in the industry.Įmployers are usually more interested in your experience, enthusiasm and initiative than your formal qualifications.Īlthough it's not essential, it can be helpful to study film, video or media production before you look for work, especially courses that include practical skills and work placements. There are no set qualifications required to enter this role.
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