#Golden globes i may destroy you series( Emily in Paris is competing in Best Comedy Series and Best Actress in a Television Comedy Series via star Lily Collins.) Some people were also particularly upset about the series being left out, considering that a less daring show, like Netflix's Emily in Paris, was able to secure a couple of nominations. Judging from comments on Twitter, that's the snub that stands out as the most damning to many. I am just completely baffled by it."Īnd he's far from the only person confused by the Globes' lack of interest in HBO's I May Destroy You, which was rightly hailed last year for its vibrant filmmaking and human performances, and its nuanced exploration of issues surrounding sexual assault and consent. "You just have to wonder if all the Globe voters were simultaneously hit on the head in the exact same place. It's the finest thing I saw on television this past year," New York Times pop culture reporter and "The Projectionist" columnist Kyle Buchanan told Newsweek in a phone call. "To me, there is no more baffling excluded than I May Destroy You. #Golden globes i may destroy you tvGolden Globes: Here are our favorite exclusively white people in TV & film!- Meghan Ross February 3, 2021 Either way, she hopes you ate something nice today.*Black Lives Matter gets nominated for a Nobel Peace Prize heading into Black History Month* Merryana Salem is a proud Wonnarua and Lebanese–Australian writer, critic, teacher, researcher and podcaster on most social media as If you want, check out her podcast, GayV Club where she gushes about LGBT rep in media with her best friend. You can stream I May Destroy You on Binge and Foxtel. Steven Yeun’s performance in Minari, alongside total blanks on performances in Da Five Bloods and Lovecraft Country, shows that despite diversifying productions, recognition is still a white artist’s game and it’s one they have rigged to win. The Golden Globes, never the most racially attuned bunch, just blanked all of this year's black-led ensembles in Best Drama: No DA 5 BLOODS, no ONE NIGHT IN MIAMI, no MA RAINEY'S BLACK BOTTOM or JUDAS AND THE BLACK MESSIAH I May Destroy You is not the only work that has been ignored, or belittled this year. While many are shocked to find her work ignored by a predominately white male institution, POC are not. The Golden Globes have a long history of ignoring and degrading work by people of colour, especially Black artists like Michaela Coel. Don’t believe me? Just watch her 2015 series, Chewing Gum and try and tell me how ‘original’ and ‘groundbreaking’ 2016’s Fleabag really is. Fans of Michaela Coel know all too well how her groundbreaking work often goes snubbed, only for works influenced by her’s to be revered in the hands of future (whiter) artists. I May Destroy You getting no GG love is bullshitĪs a long time devotee of Coel’s incredible work, I can’t say I am surprised. Apparently, you can be TOO far ahead of humanity we don’t deserve you.” Similarly, Birds of Prey director, Cathy Yan tweeted that the series’ going unacknowledged is “bullshit.” Even Dylan O’Brien ( Teen Wolf) tweeted, “Not only is I May Destroy You absolutely fucking brilliant, it should be required viewing. In this way, Coel’s I May Destroy You was undoubtedly ahead of our time. Healing is futile and life after sexual assault centres on revenge against the proprietor. PYW centres on the perpetrators, and it’s controversial ending martyrs the assault survivor with gratuitous male violence, ultimately leaving the viewer with one clear notion. Despite its distinctive female gaze, it failed to escape the trappings the countless male-centric rape-revenge fantasies that came before it such as Kill Bill. On the other hand, Promising Young Woman was a typical female revenge fantasy. I May Destroy You‘s strengths were many, but perhaps its greatest was it’s centring of the good, bad and ugly of healing from trauma and how much its made more difficult by the pervasive apathy of popular culture to survivors.Įmily in paris nominated but i may destroy you isn’t….this is just so.? /e3942jdpLH It would seem that the Hollywood Foreign Press association is ready for representations and conversations about rape culture, but not any that acknowledge its true insidiousness in every intersection and industry, or media that is brutally honest about the hard work of healing. Coel’s performance in I May Destroy You holds a veritable wildfire to Carey Mulligan’s in Promising Young Woman too, which is not to say Mulligan is undeserving of recognition for Promising Young Woman, However , there is a clear racialised preference for whose performance of personal trauma is deemed worthy when it comes to rape culture.
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